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The DuKode Studio focuses on creative data transposition to many forms, including software, animation, print, and physical objects. We have collaborated with nonprofits, think tanks, artists, educational publishers, pop stars, government agencies, scientists, and sociologists. In recent years, we've focused on creative technology and STEM education in historically underrepresented, marginalized and incarcerated communities, working with groups in North America, Africa, Europe, and Asia.

Our current production is an award-winning sci-fi arthouse animation+audio series called "The Great Tit is a Bird" (TGTIAB). TGTIAB follows Black and Brown femme and trans folks around the world, the losses they survive, and the ways they shape our high-tech era even as they are pushed to the margins. TGTIAB explores issues its creators have witnessed firsthand, including techno-colonization, research misconduct, gender-based exploitation, and threats to bodily autonomy and integrity.

TikTok: thegreattitisabird

Instagram: dukodestudio

BROOKLYN, NEW YORK
INFO [AT] DUKODE.COM

The DuKode Studio

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Creative Computering Collaborations
DuKoding since 2010

STRAND, Clarice Smith Performing Arts Center, College Park, Maryland

  • By admin
  • May 6, 2001

A dance/sculpture/video/music event by Arlene and her interdisciplinary colleagues at UMCP. Arlene contributed a full-length music score and a short animation for the show.

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Analog Underground Festival, College Park, Maryland

  • By admin
  • May 6, 2001

Arlene’s short documentary My Nights With April was screened at this festival.

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Wonderland Alice, The Studio Theatre, Washington, DC

  • By admin
  • August 6, 2000

The Studio Theatre commissioned Arlene to create the score for their original play. Most memorable is the electronic piece “Jabberwocky,” in which vocalist Natalia Ballestero reads…

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Paranoid Android, The Studio Theatre, Washington, DC

  • By admin
  • July 6, 2000

Arlene’s friend Ginger Simpson asked her to perform this piece of choreography to the eponymous Radiohead song. Arlene had to throw a mirror and then slide on the floor–unfortunately, her…

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Twentieth Century Music Concert, Ulrich Recital Hall, College Park, Maryland

  • By admin
  • October 6, 1998

Arlene’s chamber composition Batter, a setting of John Donne’s Sonnet XIV, was performed by an oboist, pianist, and soprano.

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Baltimore Choral Arts Society Fall Showcase, Goucher College, Baltimore, MD

  • By admin
  • May 6, 1997

Arlene’s choral work Salome was performed by The Baltimore Choral Arts Society.

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Centering Marginalized Folks Including BIPOC, LGBTQ+, Justice-Impacted, First Generation, and Disabled Communities